“Too Much, Too Soon: The Rise of HD and the Death of CRT”

You want a new TV?  Okay, you look at the prices.  Steep.  You check out the Best Buy flyers.  Prices are coming down.  So you save up, buy a big-screen LCD, or LED, or (God forbid) Plasma TV, 1080p, 40 inches or more across.  You hook it up to your cable or satellite.  It looks great on the HD channels.  There are more HD channels than ever.  All your local programming is HD.  All the premium channels, the sports, the key basic channels all in big, bright, bold, colorful high definition.  It’s like having a movie theater in your living room!

Samsung 102″ Atlas

This is the problem. You have hundreds, maybe thousands of DVDS gathering dust on the shelf because they just don’t look that great on your new TV. You’ve spent a lot of money in the 20 years since the advent of the digital versatile disc and you don’t want to throw everything away. There’s a very good chance you won’t find another copy of “La Strada”.

You do your homework, research up-converting 1080p DVD players with HDMI hook-ups for your new TV. The good news is they’re fairly cheap. The bad news is they’re not that great. They suffer the same archiving problems, the same stuttering, jarring effect of your old DVD player. Blu-Ray swoops in like Han Solo to save the day, but for a price. The first commercially-available Blu-Ray player (from Sony) cost about a grand. It was a great, clunky thing that took several minutes to load a disc.

Advertisement for a Zenith projection TV.

As Blu-Ray players become accepted into living rooms, the prices go down, and it is now possible to find a decent player for under a hundred bucks, but these new Blu-Ray players do not have RCA/composite audio/video jacks, only one HDMI output and (if you’re lucky) a digital audio out, but you have to buy all-new gear to support it.  Wasting money with new technology is nothing new.  How many cell phones have you owned in your lifetime?

The problem is that these new technologies are rolled out before anybody knows what to do with them.  I mention the composite jack problem because I’ve been looking for a Blu-Ray player to replace the old DVD player in my bedroom, but I keep a big-screen CRT (cathode ray tube) TV in there.  I have my HD and my Blu-Ray player (which I love because it has a USB connection and wi-fi so I can watch almost anything I have on my computers) in the living room, and I will not let my old CRT go.

Advertisement for an RCA projection TV.

The CRT TV does not have an HDMI jack, so if I shell out for a new Blu-Ray player, I’ll have to find a HDMI-to-RCA jack, not just a jack, but conversion box to decode the signals from the HDMI and make them palatable for my analog receiver! These jacks are very hard to find. You won’t find them at Best Buy for some reason. Electronics companies and retailers want to steer you away from CRT, once and for all. It’s not a conspiracy or anything. It’s just too confusing dealing with all these different formats and wires.

So why not just give up on the old CRT TV? Get with the program! Buy a brand new television! Not too long ago, I took a walk with my daughter down the road to a gas station. It was rubbish removal day in our small town and at the curb of nearly every residence was a television, sometimes more than one television. For the most part, they were CRT TVs, so we played a counting game. We counted all the televisions we saw.

This is a half-mile stretch of road that connects Putnam Avenue and Main Street. By the time we made it to the gas station, we had counted twenty-seven (27) televisions and I think three of them were hi-def. The basement of our new home is a graveyard for CRT televisions, and all of them work perfectly. It seems obvious people want their toys, and it makes disposing of old television sets very difficult, but considering over the last century most programming was produced for standard 4:3 CRT sets.

“Hold the future in your hand.”

If you’re a connoisseur of old movies, television shows, and sports (in other words anything produced before March of 1997 when the first widescreen productions were broadcast), you know that most of those products look like crap on high definition screens. Chances are these shows were not given 4K transfers to HD or Blu-Ray. Only a few TV shows have taken that route (“Star Trek: The Next Generation” comes to mind) because production costs make it prohibitively expensive to restore and remaster so many classic TV shows for a niche market of fans and pop culture junkies like me. From the late 70s up until the mid-90s, filmed television shows were immediately transferred to video and then edited from U-Matic or Betacam SP tapes which were then shipped to affiliates for broadcast.

The Sony WEGA widescreen CRT.

That’s where CRT comes in. It’s quite frankly the only way to truly enjoy all your favorite TV shows, even at the restricted number of pixels (480i as opposed to 1080p, but there is a reason for interlaced as opposed to progressive frames – interlacing fills in the blanks to provide a cleaner image whereas progressive pixels stick out like a sore thumb as they try to interpret DVD and video-tape signals). This is why DVDs and videotapes look better on a CRT screen.

If the rise of DVD wounded the VHS market, then hi-def flat screens killed it. For a while, there was an unusual compromise with high definition CRT television. These were 1080 interlaced tubes that delivered superior picture and were able to display live widescreen television. They worked perfectly with letterboxed TV shows and movies, VHS, DVD, and broadcast high-definition signals. At best, you could get the 480 lines for standard definition and up to 720p for high definition and 720p on CRT looked better than the highest resolutions produced even today. There were drawbacks. The obvious weight issue aside, there were voltage concerns and the coils would superheat. The first models were pricey and this was right before the first plasma and LCD televisions came into market.

Ultra HD!

The technology was too fast for it’s own good.  There was virtually no product to support these new enhancements.  Even now, eighteen years out, DVD and Blu-Ray technology has not out-produced conventional video technology nor has it marketed the simplicity that a CRT television and a VCR can provide.  Physical product is being scaled back while the popularity of downloads and streaming soars.  They’ve made it more complicated, more computer-dependent, but not terribly simple.

A television graveyard.

Screens are getting bigger but it doesn’t matter.  There’s only so much visual information the eye can take and when we go to a movie theater, our eyes selectively rule out anything with limited visual interest, and now we have to do that in our living rooms.  We have the 4K Ultra HD with hundreds of inches of screen space, yet our homes are getting smaller.  Is there a point to this?  Why, I think not!  It doesn’t ultimately matter because we need our toys and we will continue to purchase our toys, and scores of newer high definition televisions will join their CRT counterparts piling up in landfills across the country.

Creepshow (1982)

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Original Warner Bros. clamshell VHS for “Creepshow”.


It seems most movies these days are based around comic books and toys, but in
1982, the double-whammy collaboration of Stephen King and George A. Romero,
produced the original comic-book adaptation, “Creepshow”, one of the great horror
movies of the early 1980s. Obviously inspired by Max Gaines and Educational
Comics’ “Tales From the Crypt”, “The Vault of Horror” and later, Mad Magazine,
“Creepshow” gives us five fun stories loaded with graphic violence and intended
for adults only.

George A. Romero, best known for “Night of the Living Dead”, the grandfather of
the modern zombie movie, had directed cult favorites, “The Crazies”, “Martin”,
and “Knightriders”. King, reportedly a fan of Romero’s work, suggested they
collaborate on “The Stand” and wrote “Creepshow” as a sample screenplay to see if
the two could successfully work together. This was, no doubt, due to the
disappointment he felt from Stanley Kubrick’s adaptation of King’s “The Shining”.

“It’s Father’s Day, and I got my cake!”


“Creepshow” was an anthology of five stories about familial revenge, hapless
hillbillies, a tasmanian devil in a crate, the consequences of infidelity, and
cockroaches (lots of freaking cockroaches!). What really propels the stories is
a wicked sense of humor, dark comedy, and lots of gore. A great cast (Ted Danson
and Ed Harris in early roles, Leslie Neilsen in one of his last dramatic roles,
Hal Holbrook, Adrienne Barbeau, Fritz Weaver, and E.G. Marshall) rounds out the
carnage, and though the film only earned modest reciepts at the box office, it
did very well in pay TV and home video markets.

“Better hold your breath, Harry. “

Romero’s lighting, use of shadow and bold primary color along with the continuity
device of using comic book cells and the book-end framing story of an abusive
father and his sociopathic son (played by Stephen King’s son, Joe) deconstruct
the horror genre and places it in a post-modern context, much like Romero would
do with “Day of the Dead”, the underrated “Monkey Shines”, and “Tales From The Darkside” (an anthology television series based, in part, on “Creepshow”).

“He wanted to examine the bite marks. I guess he got his chance!”

“Creepshow” was followed by two lackluster sequels, Creepshow 2 in 1987 (based on
stories, not a script by King), and the “unofficial” no-budget Creepshow 3 in
2007. Romero would later work with Stephen King for “The Dark Half” in 1993, but that film was shelved for two years due to Orion’s impending bankruptcy.


La Petite Du Diable (The Killer Nun) – 1979


La Petite Du Diable (The Killer Nun) 
Sister Gertrude worked in a hospital, where she is appreciated by both patients and staff and her sister (Sister Mathieu). But ever since it was discovered she has a brain tumor, Sister Gertrude’s behavior is increasingly particular. Thus, headaches, delusions and desires of the murders take while working. Worse, she became addicted to morphine, and she now injects it insidiously to nightmarish trips in her subconscious….




American Werewolf in Washington (1973)

American Werewolf in Washington (1973)

With Dean Stockwell!

A reporter who has had an affair with the daughter of the U.S. President is sent to Hungary. There he is bitten by a werewolf, and then gets transferred back to Washington, where he gets a job as press assistant to the President. Then bodies start turning up in D.C. . . .