Ghost Story (1981)


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Some supernatural revenge should be visited upon the filmmakers for this travesty of a film.

We at VHS Rewind feel that Peter Straub’s novel, Ghost Story, upon which this film is (shall we say, loosely) based, is one of the great horror novels of all time. It has the scope and heft of one of those bricks produced by Stephen King (Salem’s LotItThe Tommyknockers; etc.) but is much more literate and creepy and atmospheric.

VHS Rewind is only too happy to dedicate our latest episode discussing why this film is a damn shame, a missed opportunity of epic proportions, from top to bottom.

The raping of Straub’s novel is just the first (albeit the most egregious) of the movie’s sins. Then there is the unforgivable error of casting Craig Wasson: why did people cast this utterly talentless individual? This is the man who would go on to single handedly destroy Brian DePalma’s BODY DOUBLE (1984). An actor with less charisma (and, apparently, a smaller dick) would be very hard to find.



We are VHS Rewind were relieved to discover Craig Wasson seems to have stopped getting work after 2006. Is it us or does Craig Wasson look like a bastard cross between Bill Maher and Robert Englund (with none of the talent of even Mr. Englund)?

And what of the famed Chowder Society? For an old-timer like myself, it is great to see this quartet of octogenarians (the great John Houseman; the great Fred Astaire; Douglas Fairbanks Jr (I guess he was great, but who was he?); and Melvyn Douglas (I guess he was great, but who was he?) but neither the director (John Irvin) nor the screenwriter (Lawrence D. Cohen) do these actors any favors.

VHS Rewind is also only too happy to expound (and at length) upon the virtues of the film’s one shining star: actress Alice Krige, who plays the sexy-as-all-get-out vengeful ghost.  This is meant as a compliment but Ms. Krige’s copious nudity is surpassed by her acting here: she does portray an especially menacing supernatural entity.

We hope you will join VHS Rewind for this seance where we wish evil retribution upon the filmmakers responsible for 1981’s GHOST STORY.





Psycho II (1983)

Season 3 – Episode 12

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Yeah, yeah, we know, we get it, we understand,

Hitchcock/PSYCHO, Hitchcock= PSYCHO, Hitchcock is PSYCHO, even more than Tony Perkins’ Norman Bates.

Fuck Hitchcock. Forget Hitchcock. It’s old, he’s old, you’re a poseur to talk Hitchcock, Hitchock this, Hitchcock that.  Dude, whatever.

I’m more impressed if you champion the lesser-known, the hardly-known-at-all things: Corky Siegel’s Chamber Blues, Vietnamese iced coffee over anything at Starbucks, xerox printed fanzines from the late 1980s / early ’90s over digital musings of the faceless internet, Spider-Man as drawn by artist Ross Andru throughout the 1970s over Spider-Man as drawn by artist Steve Ditko in the 1960s, PSYCHO II over PSYCHO.

I can count on the fingers of one hand how many times I have watched the original PSYCHO but PSYCHO II, on the other hand, is, like, well, double digits. Lots of double digits. #polydactylism

This is one of the greatest sequels ever made, its ROAD WARRIOR great, 1978’s DAWN OF THE DEAD great (I hate how I actually have to qualify which one I mean because of the abominable remakes/reboots/reruns that are a daily part of our lives nowadays, already deadened by rampant shootings and Donald-Trump-for-president-for-real), STAR TREK II: THE WRATH OF KHAN ferchrissakes.

This week, VHS Rewind hosts Chris and Mark will have you doubting your sanity with their black-is-white, white-is-black, through-the-looking-glass, PSYCHO II-over-the-original-PSYCHO babble.

– Christopher

This guy just uploaded Kmart background music from 1988-1993!

 Attention, Kmart shoppers:

Mark Davis worked behind the Service Desk at the Naperville, IL Kmart in the late ’80s and early ’90s. Every month, corporate office issued a cassette to be played over the store speaker system — canned elevator-type music with advertisements seeded every few tracks. Around 1991, the Muzak was replaced with mainstream hits, and the following year, new tapes began arriving weekly. The cassettes were supposed to be thrown away, but Davis slipped each tape into his apron pocket to save for posterity. He collected this strange discount department store ephemera until 1993, when background music began being piped in via satellite service.

He made available the entire 56 tape collection on where you can listen until your heart is content.